Historical Turns: Weimar Cinema and the Crisis of Historicism |
Nicholas Baer |
2024 |
Book |
The Screenwriter’s Workshop: Creative Exploration Through Meaningful Critique |
J. Mira Kopell |
2024 |
Book |
Technics: Media in the Digital Age |
Nicholas Baer; Annie van den Oever |
2024 |
Book |
Anteaesthetics: Black Aesthesis and the Critique of Form |
Rizvana Bradley |
2023 |
Book |
The Affect Theory Reader 2: Worldings, Tensions, Futures |
Rizvana Bradley |
2023 |
Book |
Special issue on “Medium/Environment,” Critical Inquiry 49: 3, 2023 |
Weihong Bao; Jacob Gaboury; Daniel Morgan |
2023 |
Special Issue |
Bigger Than Life: The Close-Up and Scale in the Cinema |
Mary Ann Doane |
2022 |
Book |
Special issue on “Climate/Media,” Representations 157, February 2022 |
Weihong Bao; James Leo Cahill; Brian R. Jacobson |
2022 |
Special Issue |
Media Hot and Cold |
Nicole Starosielski |
2022 |
Book |
Assembly Codes: The Logistics of Media |
Nicole Starosielski; Matthew Hockenberry; Susan Zieger |
2021 |
Book |
Image Objects: An Archaeology of Computer Graphics |
Jacob Gaboury |
2021 |
Book |
Unwatchable |
Nicholas Baer; Maggie Hennefeld; Laura Horak; Gunnar Iversen |
2019 |
Book |
Making Sex Public and Other Cinematic Fantasies |
Damon Young |
2018 |
Book |
None Like Us: Blackness, Belonging, Aesthetic Life |
Stephen M. Best |
2018 |
Book |
The Matter of Photography in the Americas |
Natalia Brizuela; Jodi Roberts |
2018 |
Book |
Vital Subjects: Race and Biopolitics in Italy 1860-1920 |
Rhiannon Welch |
2016 |
Book |
Sustainable Media: Critical Approaches to Media and Environment |
Nicole Starosielski; Janet Walker |
2016 |
Book |
The Promise of Cinema: German Film Theory, 1907–1933 |
Anton Kaes; Nicholas Baer; Michael Cowan |
2016 |
Book |
Signal Traffic: Critical Studies of Media Infrastructures |
Nicole Starosielski; Lisa Parks |
2015 |
Book |
Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny |
Mark Sandberg |
2015 |
Book |
The Undersea Network |
Nicole Starosielski |
2015 |
Book |
Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 |
Weihong Bao |
2015 |
Book |
Depois da Fotografia: Uma literatura fora de si |
Natalia Brizuela |
2014 |
Book |
Spectacular Digital Effects: CGI and Contemporary Cinema |
Kristen Whissel |
2014 |
Book |
Tokyo 1955-1970: A New Avant Garde |
Miryam Sas; Michio Hayashi; Mika Yoshitake; Doryun Chong |
2012 |
Book |
Fotografia e Império: Paisagens para um Brasil moderno |
Natalia Brizuela |
2012 |
Book |
Shell Shock Cinema: Weimar Culture and the Wounds of War |
Anton Kaes |
2011 |
Book |
Experimental Arts in Postwar Japan Moments of Encounter, Engagement, and Imagined Return |
Miryam Sas |
2011 |
Book |
POSTWAR: The Films of Daniel Eisenberg |
Jeffrey Skoller; Daniel Eisenberg; Raymond Bellour; Nora Alter; Tom Gunning |
2010 |
Book |
Picturing American Modernity: Traffic, Technology and the Silent Cinema |
Kristen Whissel |
2008 |
Book |
Screening Sex |
Linda Williams |
2008 |
Book |
Y todo el resto es literatura: ensayos sobre Osvaldo Lamborghini |
Natalia Brizuela; Juan Pablo Dabove |
2008 |
Book |
Savage Junctures: Sergei Eisenstein and the Shape of Thinking |
Anne Nesbet |
2007 |
Book |
Germany in Transit: Nation and Migration, 1955-2005 |
Anton Kaes; Deniz Göktürk; David Gramling |
2007 |
Book |
Shadows, Specters, Shards: Making History in Avant-Garde Film |
Jeffrey Skoller |
2005 |
Book |
Closely Watched Films: An Introduction to the Art of Narrative Film Technique |
Marilyn Fabe |
2004 |
Book |
Porn Studies |
Linda Williams |
2004 |
Book |
The Fugitive’s Properties: Law and the Poetics of Possession |
Stephen M. Best |
2004 |
Book |
The Emergence of Cinematic Time: Modernity, Contingency, the Archive |
Mary Ann Doane |
2002 |
Book |
Living Pictures, Missing Persons: Mannequins, Museums and Modernity |
Mark Sandberg |
2002 |
Book |
“Playing The Race Card:” Melodramas of Black and White from Uncle Tom to O.J. Simpson |
Linda Williams |
2002 |
Book |
Fault Lines: Cultural Memory and Japanese Surrealism |
Miryam Sas |
2002 |
Book |
Re-inventing Film Studies |
Linda Williams; Christine Gledhill |
2000 |
Book |
M |
Anton Kaes |
2000 |
Book |
The Weimar Republic Sourcebook |
Anton Kaes; Martin Jay; Edward Dimendberg |
1995 |
Book |
The Nickel Was for the Movies: Film in the Novel Pirandello to Puig |
Gavriel Moses |
1995 |
Book |
Viewing Positions: Ways of Seeing Film |
Linda Williams |
1994 |
Book |
Geschichte des Deutschen Films |
Anton Kaes; Wolfgang Jacobsen; Hans Helmut Prinzler |
1994 |
Book |
From Hitler to Heimat: The Return of History as Film |
Anton Kaes |
1992 |
Book |
Femmes Fatales: Feminism, Film Theory, Psychoanalysis |
Mary Ann Doane |
1991 |
Book |