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Books by Faculty
Books by Faculty
Books by Film & Media Faculty
Historical Turns: Weimar Cinema and the Crisis of Historicism
2024
The Screenwriter’s Workshop: Creative Exploration Through Meaningful Critique
2024
Technics: Media in the Digital Age
2024
Anteaesthetics: Black Aesthesis and the Critique of Form
2023
The Affect Theory Reader 2: Worldings, Tensions, Futures
2023
Special issue on “Medium/Environment,” Critical Inquiry 49: 3, 2023
2023
Bigger Than Life: The Close-Up and Scale in the Cinema
2022
Special issue on “Climate/Media,” Representations 157, February 2022
2022
Media Hot and Cold
2022
Assembly Codes: The Logistics of Media
2021
Image Objects: An Archaeology of Computer Graphics
2021
Unwatchable
2019
Making Sex Public and Other Cinematic Fantasies
2018
None Like Us: Blackness, Belonging, Aesthetic Life
2018
The Matter of Photography in the Americas
2018
Vital Subjects: Race and Biopolitics in Italy 1860-1920
2016
Sustainable Media: Critical Approaches to Media and Environment
2016
The Promise of Cinema: German Film Theory, 1907–1933
2016
Signal Traffic: Critical Studies of Media Infrastructures
2015
Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny
2015
The Undersea Network
2015
Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945
2015
Depois da Fotografia: Uma literatura fora de si
2014
Spectacular Digital Effects: CGI and Contemporary Cinema
2014
Tokyo 1955-1970: A New Avant Garde
2012
Fotografia e Império: Paisagens para um Brasil moderno
2012
Shell Shock Cinema: Weimar Culture and the Wounds of War
2011
Experimental Arts in Postwar Japan Moments of Encounter, Engagement, and Imagined Return
2011
POSTWAR: The Films of Daniel Eisenberg
2010
Picturing American Modernity: Traffic, Technology and the Silent Cinema
2008
Screening Sex
2008
Y todo el resto es literatura: ensayos sobre Osvaldo Lamborghini
2008
Savage Junctures: Sergei Eisenstein and the Shape of Thinking
2007
Germany in Transit: Nation and Migration, 1955-2005
2007
Shadows, Specters, Shards: Making History in Avant-Garde Film
2005
Closely Watched Films: An Introduction to the Art of Narrative Film Technique
2004
Porn Studies
2004
The Fugitive’s Properties: Law and the Poetics of Possession
2004
The Emergence of Cinematic Time: Modernity, Contingency, the Archive
2002
Living Pictures, Missing Persons: Mannequins, Museums and Modernity
2002
“Playing The Race Card:” Melodramas of Black and White from Uncle Tom to O.J. Simpson
2002
Fault Lines: Cultural Memory and Japanese Surrealism
2002
Re-inventing Film Studies
2000
M
2000
The Weimar Republic Sourcebook
1995
The Nickel Was for the Movies: Film in the Novel Pirandello to Puig
1995
Viewing Positions: Ways of Seeing Film
1994
Geschichte des Deutschen Films
1994
From Hitler to Heimat: The Return of History as Film
1992
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
1991
Hard Core: Power, Pleasure and the “Frenzy of the Visible”
1989
The Desire to Desire: The Woman’s Film of the 1940s
1987
Deutschlandbilder: Die Wiederkehr der Geschichte als Film
1987
Re-vision: Essays in Feminist Film Criticism
1984
Figures of Desire: A Theory and Analysis of Surrealist Film
1981
Kino-Debatte: Texte zum Verhältnis von Literatur und Film
1978
Expressionismus in Amerika: Rezeption Und Innovation
1975
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