Graduate Student

Lázaro González

Lázaro J. González González is P.h.D candidate in Film & Media and an award-winning filmmaker. His areas of interest include queer cinema, non-fiction storytelling, and Latin American film and media production. His movies Masks (2014) and Villa Rosa (2016) has been screened in several international film festivals and distinguished with grants such as Sparring Partners Fund, the Norwegian Fund for Cuban Cinema, and AMI’s Closing Distances...

Patrick Harrison

Patrick Harrison’s writing has appeared in BOMB, Millennium Film Journal, Artforum, N+1, and ...

Morgan Jennings

Morgan Jennings is a PhD candidate in Film & Media. She holds a B.A. in philosophy from Kalamazoo College and an M.A. in film studies from the department of Humanities and Cultural Studies at the University of South Florida, Tampa.

Rosalie Liu

Rosalie received her BA in Radio/Film/TV and Comparative Literature from Northwestern University and an MA in Asian Studies at UC Berkeley. She works on Chinese language cinema and media, focusing on how medium transformation reveals (re)conceptualization of environment, elements, and infrastructure. Other research interests include philosophy of technology, media archaeology, and Sino-Korea cultural exchanges. Besides academia, she writes and directs short films.

Nita McDaniel

Nita studies the development of convention in motion pictures alongside the history of film formats. She is interested in how material contingency shaped the limits for expression, the identification of the spectator, and the articulation of social norms in moving image practices. Her current research centers on the composition of the plastic negative support and the linking of cinema, as a set of formal expectations, to a specific context of production and distribution (the studio picture). She holds a BA in Art History from Reed College.

e. morris

e. morris received their BA in English and American Literatures from Middlebury College, followed by an MA in Latin American Studies at UCLA. She works with trans* aesthetic practices emergent across analog, embodied, and digital media, reorienting questions of being and agency vis-à-vis the strictures of gendered violence as a transcultural phenomenon.

Victor Omojola

Victor earned a B.A. from Columbia University with a major in Film and Media Studies and a minor in Political Science. He has conducted research on the relationship between the political messaging of post-1960 Cuban films and their use of Afro-Cuban music, religion, and language. In graduate school, Victor is excited to further explore militant Latin American film movements’ representation of the Black diaspora, aesthetics of early West African cinema, and video-making as a form of inquiry.