Damon Young is co-appointed with the department of French and is affiliated with the Program in Critical Theory, the Berkeley Center for New Media, the Institute for European Studies, the Department of Rhetoric and the Department of Gender & Women's Studies. He teaches courses on art cinema, on sexuality and media, and on topics in digital media and film theory (including classical film theory, phenomenology, psychoanalysis, semiotics, feminist and queer theory). His first book, Making Sex Public and Other Cinematic Fantasies was published in the Theory Q series at Duke University Press in 2018, and shortlisted for the 2019 Association for the Study of the Arts of the Present Book Prize. That book examines fears and fantasies about women’s and queer sexualities—as figures for social emancipation or social collapse–in French and US cinema since the mid-1950s. It also considers the way cinema produces a new model of the private self as it challenges the novel’s dominance in the twentieth century. The latter idea is the basis for Professor Young’s current book project, Century of the Selfie, which explores the technical and technological ground of subjectivity across media forms, and the ways in which online cultures of the self generate new paradigms of communication, affect, and self-relation. Is the self of Rousseau’s Confessions the same as the self of the digital selfie? The inquiry integrates topics in digital media theory with “earlier” questions of language and subjectivity.
Some recent publications include: "The Fantasy of Pornography," in Porn Studies (2024); "The Phatic Self in the Always-On Network," in Autotheories (forthcoming with Duke UP, 2025), "In Defense of Psychoanalytic Film Theory" (in the Oxford Handbook of Film Theory), "Teorema's Death Drive" (Oxford Handbook of Queer Cinema), “Ironies of Web 2.0” (in “How to be Now,” special issue of Post-45, Summer 2019); “Safe Spaces.”
Before joining the Berkeley faculty, Damon Young was assistant professor and postdoctoral scholar in the Society of Fellows at the University of Michigan. Other honors include the MacGeorge Fellowship at the University of Melbourne; the ACLA Helen Tartar Book Subvention Prize; Regents’ Junior Faculty fellowship; DAAD fellowship; the Norman Jacobson Memorial Teaching Award (2012) and the UC President’s Society of Fellows, as well as the University of Sydney Medal.
Critical theory, Digital media, Film theory, Gender and sexuality studies, Global art cinema (with a focus on French and francophone).
