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Film Genre: Film Noir
108 - 001 | German 182 - 001 | CCN: 15167
Instructor: Anton Kaes
This course deals with American crime films of the 1940s made by German filmmakers in Hollywood who were refugees from Nazi persecution. Their “dark” films about urban corruption and moral ambiguity introduced a creative counter-tradition to the... More -
Film Genre: Gothic Horror
108 - 002 | Rhetoric 131T | CCN: 15168
Instructor: Eileen Jones
Because it is notoriously difficult to define the term “Gothic,” or to describe its complex history as an aesthetic form involving architecture, “high” literature and popular fiction, painting, opera, theater, cinema, television, gaming, and fashion, we will... More -
Documentary Film
128 | CCN: 15173
Instructor: Linda Williams
This course surveys the history, theory and practice of the documentary, aka “non-fiction,” film and video. We will explore the term and examine the ways its forms and ethics have changed since the beginning of cinema. We... More -
Special Topics in Film: Sound
140 - 001 | CCN: 15175
Instructor: Mark Berger
This course will explore the nature, evolution, use, and abuse of sound in cinema. From the first silent films, which weren’t presented in silence at all, to current “ride” films, the relation between sound and image... More -
Special Topics in Film: Color Theory
140 - 002 | Rhetoric 135T | CCN: 15176
Instructor: Eileen Jones
In the introduction to Color: The Film Reader, Brian Price argues that until recently film studies scholars have suffered from “chromophobia,” neglecting to address in any comprehensive way “the centrality of color to the experience and technology... More -
Special Topics in Film: The Italian Cinema – When Italy Meets America
140 - 003 | Italian 170 | CCN: 33032
Instructor: Margherita Ghetti
Since the very first years of the 20th century, various peoples have migrated between Italian and North-American shores, moving their products, mixing their languages, and bringing about a new word: Italian-American. Cinema lent itself to representing and questioning... More -
Auteur Theory: Silent Film Comedy – Chaplin and Keaton
151 - 001 | CCN: 15179
Instructor: Emily West
This course seeks to interrogate and re-invigorate the discourse of film authorship by closely examining the work of two artists whose most beloved films preceded the concept of the auteur: Charles Chaplin and Buster Keaton. As... More -
National Cinema: Soviet Film Style, from Silence to Sound
160 - 001 | Slavic 138 | CCN: 15183
Instructor: Anne Nesbet
This semester we will focus on a number of great Soviet silent filmmakers – Eisenstein, Kozintsev and Trauberg, Kuleshov, and Vertov – and follow the evolution of their film style as they made the transition into sound.... More -
National Cinema: Anime
160 - 002 | CCN: 15184
Instructor: Miryam Sas, Daniel O'Neill
How does anime create meaning? How has it become a key mode of expression in many cultures today? How does it reveal changes in culture and create new forms for processing powerful feelings? How does the anime... More -
Beginning Screenwriting
180 | CCN: 15186
Instructor: J. Mira Kopell
Explores the art and craft of writing a feature length, narrative screenplay. Each student pitches three story ideas, chooses one concept to develop into an outline and then completes the first act of the script. The class... More -
Advanced Screenwriting
181 | CCN: 33952
Instructor: J. Mira Kopell
In a workshop setting students explores the art and craft of writing a feature length narrative screenplay. Writers workshop detailed script outlines and then develop that material into a screenplay. New work is presented weekly. Discussion topics... More -
Advanced Digital Production: The Narrative Short
187 | CCN: 15188
Instructor: J. Mira Kopell
This hands-on workshop explores the collaborative process of making a narrative short using digital video production. Over the semester, students will write, rewrite, pre-visualize, shoot, direct and edit one project, approximately 12 – 15 minutes... More -
Film and Media Cultures
20 | CCN: 31326
Instructor: Emily West
This course introduces students to ways of thinking about “film” and “media” – including print media, photography, television, video, and digital media – as cultural objects that not only carry meaning, but that help create the world... More -
History of Film: Silent-WWII
25A | CCN: 31328
Instructor: Emily West
This course walks students through the history of cinema from an examination of the earliest proto-cinematic optical devices to the first experiments with sound film. As students learn the history of these technological, aesthetic, and narrative developments... More -
History of Film: WWII-Present
25B | CCN: 15161
Instructor: Eileen Jones
In this introductory survey course we will examine the history of cinema from the impact on national cinemas of the rise of Fascism in 1930s Europe through the international development of film as a transformative technology, art... More -
Cultural Representations of Sexualities: Queer Visual Culture
C146B 001 | CCN: 32947
Instructor: Paola Bacchetta
Date and Time: TU 2:00pm - 3:29pm
This course examines modern visual cultures that construct ways of seeing diverse sexualities. Considering Western conventions of representation during the modern period, we will investigate film, television, and video. How and when do “normative” and “queer” sexualities... More -
The Craft of Writing – Mediaphilia/Mediaphobia Today
R1A - 001 | CCN: 15139
Instructor: Renée Pastel and Chi Li
Do new media technologies bring us together or isolate us from one another? This course attempts to address this question from a variety of standpoints, including economic, cultural, and political. How can such media be seen as... More -
The Craft of Writing – Stardom and Spectatorship
R1B - 001 | CCN: 15147
Instructor: Dolores McElroy and Kelly Norris
... More -
The Craft of Writing – Classic Trash: Media Refuse from Celluloid to VCDs
R1B - 002 | CCN: 15148
Instructor: Jennifer Blaylock and Julia Keblinska
Introduction to cinema courses often draw from a well-established canon to cover a handful of art-house classics. Conversely, this course offers an introduction to global media culture through an exploration of the classic popular and “trashy” material... More -
The Craft of Writing – Mediating History: The Stories Archives (Don’t) Tell
R1B - 003 | CCN: 15149
Instructor: Alex Bush and Diana Ruiz
This course will examine the relationship between film, history, and archive. Starting with early cinema and the formation of film archives that accompanied it, we will proceed to investigate such sites of historical collection as museums, personal... More -
The Craft of Writing – Boxing Films
R1B - 004 | CCN: 15150
Instructor: Eliot Bessette and Fareed Ben-Youssef
The Philadelphia Museum of Art, Robert De Niro’s weight gain, "Eye of the Tiger": boxing films have a knack for culturally enshrining and transforming their content. The artists drawn to boxing films read like a Who’s Who... More -
The Craft of Writing – A History of Shadows: From Noir to Neo-Noir
R1B - 005 | CCN: 15151
Instructor: Justin Vaccaro and KC Forcier
This course fulfills the second part of the Reading and Composition requirement. We will continue to work on writing analytical, argumentative papers but with an added emphasis on research, both doing research – from generating research topics... More