Recent Articles, Book Chapters & Catalogue Essays:
“iDocument Police: Contingency, Resistance and the Precarious Present” World Records, Journal of Contemporary Documentary film. Inaugural Issue. pub. UnionDocs Brooklyn, NY. December 2017.
“Present-Time: The Art of Resistance in the age of Cinematographic Ubiquity” Representations, 136, (2016) Berkeley, UC Press.2016.
“Unlived Histories and Life Longings” Shadowed. Caroline Picard, Ed. Chicago: Green Lantern Press. 2017. pp 90-104
“Introduction” and sub-theme editor “WAR” The Blackwell Companion to Contemporary Documentary Film Eds. Alexandra Juhasz and Alisa Lebow. Hoboken, NJ: Blackwell. In press.
“ReAnimator: Embodied History, and the Post-Cinema Trace in Ken Jacobs’ Digital Composites” Pervasive Animation AFI Film Reader, Routledge 2013
Guest Editor Special Issue: “Making it (Un)real: Contemporary Theories and Practices in Documentary/Animation.” Animation: An interdisciplinary Journal. Vol 6, No. 3. London: Sage Press, Nov, 2011
“Fragments of an Inheritance: Contingencies of History in ‘Cooperation of Parts’” POSTWAR: The Films of Daniel Eisenberg, Skoller, ed., London: Blackdog Press. 2010
“Memories of the Revolution: Filmmaking as Mourning Work” Spanish Translation in the book: Los Fantasmas de Ñancahuazú Buenos Aires: Viper’s Tongue Books, 2010.
“The Place of October: An Exchange with James Elkins” The State of Art Criticism James Elkins, ed. Routledge Press. 2007
“Greg Sholette: Do It yourself Art Action Kit!” Gregory Sholette Selected Projects 1980-2003 catalogue essay, Clifford Gallery, Colgate University 2004. (Translated into Russian for publication 2008)
“Landscapes at the End of History: Tony Sinden’s Installation Dichotomy” Tony Sinden: Everything Must Go-Installation, Video and Film London: The British Arts Council. 2003.
“The Domestic Lives of Lynn Marie Kirby: Some Notes (with interruptions) on Six Films” Discrete and Continuous Boundary Problems: Lynn Marie Kirby Retrospective Monograph. SF. Foundation for Art in Cinema 2002.
Selected Film, Video & Photographic works:
“You did not See Hiroshima.” Digital film, 30 minutes. 2017
“The Promise of Happiness: Stranded Images from the Age of Revolution” 4 screen film installation with 16mm film, analog video and digital video. 24 minute loop. Southern Exposure Gallery, SF, CA. 2016
Mother (after Bellini) Photographic Installation 24’x16’, 32 individual prints, Worthryder Gallery, Berkeley, Ca. 2014
Private Commons, and the Ends of Public Space 60 mins video (in-progress) 2014
“Eisenstein’s ‘Das Kapital” Photo Installation: In The Imaginary Archive and The Wellington Collaboratorium, New Zealand, 2010; Galway Ireland, 2011; Graz Austria, 2013; Kiev, Ukraine, 2014
Movie-drome: the Island on the Edge of Forever in the exhibition Fifteen Islands for Robert Moses. Queens Museum, NY 2012
The Promise of Happiness Pt 1. Vietnam 32 mins. Video, 2007
Please, Please, Please, (For JB) w/Mark Bartlett. Photo & text installation, 2007
The Weather is Clearing Up! 4mins. Video 2006
The Unquiet: Speaking Mauscheln* 3-1/2-hr. segments. Video,1997
The Malady Of Death, 43 Mins., 16mm, Color, Sound, 1994
Gulf Crisis TV Project, Paper Tiger/ Deep Dish, Segment On U.S. Jews Opposing Gulf War 1991
Nicaraguan Video Series, Prod. With Xchange TV Collective 1986
Nicaragua: Hear-Say/See-Here, 65 Mins., 16mm, Color, Sound. 1986